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hello@lumiere-interiors.studioInterior Design • Architecture • Bespoke Spaces
A home is not a collection of rooms — it is a sequence of feelings. We begin every project by listening, then turn proportion, material and light into a place that holds the shape of your life.
Drawing arch / 1:50
Marrakech, Morocco · 2025 · Residence
A house arranged around weather.
Rooms open to the rain court in the wet season and fold shut for the afternoon sun — the plan is the climate, and the walls are simply its instrument.
Drawing light / 1:50
Los Angeles, California · 2024 · Residence
A single clerestory, three floors of it.
One slot of sky carved through the whole section, so the afternoon sun lands somewhere new in the room each hour and never stays long enough to bore.
Drawing section / 1:50
Lyon, France · 2024 · Cultural
Whitewashed plaster, unlit.
The collection supplies the colour; the room supplies only the quiet. A low, even light from one north wall, and nothing to argue with the work.
Furniture set for conversation, a hearth of light, nothing that shouts.
Workflows measured in steps, not square feet — cooking choreographed.
A room that holds rest; storage that disappears into the walls.
The table anchored, the ceiling low enough to feel gathered.
A desk at the window, a wall of reference, silence by design.
Stone, steam, and a single shaft of light — the smallest room, the longest stays.
The first room is a threshold — it sets the register for the rest.
Wk1–2
A site visit, a long listen, and a written brief that names the problem exactly.
Brief + scopeWk3–6
Layouts and material studies — one idea tested against structure, budget and light.
Concept boardsWk7–10
Working drawings, joinery detail, and a schedule of quantities you can price.
Full setWk11–18
Site supervision, trades coordinated, weekly notes — no surprises, ever.
Weekly reportsWk19–20
A final walkthrough, a few days of living in it, and the keys.
Keys + care notesAverage project: twenty weeks · consultation to keys
Observation
At 900mm a sill reads as a ledge; at 1100 it reads as architecture. Ten centimetres is a decision.
Material
Paint is a skin; lime is a breath. One peels at the edges, the other takes on the weather of the room.
Proportion
It is the room you pass through most often — so we design it like one, and the house stops feeling thin.
The Courtyard House in the March international edition.
↗Lightwell Penthouse selected for the residential series.
↗Hospitality interior of the year.
↗October issue, photographed at dusk.
↗A profile of the Lyon gallery project.
↗Honouree, residential category.
↗Two commissions remain open for the coming season — we hold the calendar small so the work stays human.
Currently accepting: two projects, 2026
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